Friday nights in Manhattan have increasingly become strange, forbidden creatures as we've gotten older; one day, the cool scruffy older people turn into the trying-to-be-cool scruffy younger people, and it becomes harder not to raise eyebrow when people try to make you go into crammed bars playing songs that everyone loved in 2002.
Still, there's one thing that can get a borough-adverse old person to a loud Manhattan club on a Friday night, and that is the birthday party of a stranger. Birthday parties (and parties in general, really) of people I don't know are my favorite kind of party, and I find that even when I'm feeling hesitant to attend events hosted by people I know and love, I can usually manage to get myself to the party of someone I don't know with little trouble.
(When you're alone amongst strangers, you're still essentially having alone time.)
And so last weekend, I hit Manhattan on a Friday night with two friends, all of us thinking that at best something interesting might happen. For the most part, it didn't, but crowd-watching offers a unique opportunity for memory. Days prior, I'd put myself in a slightly different alone-among-others setting in both an effort to calm myself after a tough day and to continue the project of aloneness I've been slowly and silently working on for the past month. I went out for a drink at one of my favorite bars, and I remembered suddenly where all of this "parties of strangers" business began.
Here is a confession: I drink for two reasons. The first reason I drink is because I am very, very fond of the taste of whiskey (and beer, to a certain extent.) The second reason is a bit more complicated and a tiny bit shameful: I drink because it's the easiest way to get people to tell you everything about themselves they wouldn't ordinarily say.
There's one other good way to get people to say such things about themselves, and it involves the formality of an interview and the presence of a need for the interviewing. For years now, I've dabbled here and there in some vague form of music journalism; at a certain point, I engaged myself in it enough to actually schedule interviews with bands. One afternoon, I found myself on the phone with a singer-songwriter promoting his band's final, posthumous album, trying to figure out how to ask questions about a project that no longer existed. We ended up engaged in a lengthy discussion about writing processes; from there, writing in general; from there, the school we both happened to have taken the writing program at.
What was meant to be a twenty minute interview turned out to be a ninety minute conversation, and following it I had the weird feeling that I'd made a friend on accident. Emails were exchanged, and at some point a few weeks later, he happened to invite me to his girlfriend's birthday party. I gathered up my begrudging boyfriend that evening and set off for Greenpoint to make some friends of strangers.
The events that followed have been made fuzzy by years (and assuredly, alcoholic beverages), but what I remember best is how astounded I was to be in the presence of such a truly bizarre mix of people from all manner of the arts. Teachers, artists, and theater producers alike were gathered together, and not knowing how any of them fit together in the relationship puzzle was this great, fun mystery to unlock. I can't remember ever putting myself in a more awkward or more intriguing situation, and when I left that bar I felt as though things in my life were really and truly changing.
For whatever reason - probably just the pure awkwardness of meeting someone in person after you've barely but meaningfully connected with them in another manner - I didn't become fast friends with the songwriter in question; I think we sent one or two more random emails and then never heard from each other again. I've never seen any of the people from that night again, and I doubt I would recognize them if I ran into them in the street. Still, there's something so compelling about the stories of strangers, something that feels important in a way that opens up your world.
So when you're standing years later in a shitty Manhattan bar drinking a ten dollar whiskey, you're quite ready to say "sure" when the lumberjack-chic fellow next to you wants to start a dance party, because you in truth have no idea what might happen after that. It can never hurt to find out.
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1 comment:
"you asked the one person who's allergic to dancing to dance"
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